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Kathryn Ann Bigelow (; born November 27, 1951) is an American director, producer and writer. Her films include the vampire Western horror film ''Near Dark'' (1987), the action crime film ''Point Break'' (1991), the controversial science fiction action thriller ''Strange Days'' (1995), the mystery thriller ''The Weight of Water'' (2000), the submarine thriller ''K-19: The Widowmaker'' (2002), the war film ''The Hurt Locker'' (2009), the action thriller war film ''Zero Dark Thirty'' (2012), and the short film ''Last Days of Ivory'' (2014). ''The Hurt Locker'' won the 2009 Academy Award for Best Picture, won the BAFTA Award for Best Film, and was nominated for the 2009 Golden Globe Award for Best Drama. With ''The Hurt Locker'', Bigelow became the first woman to win the Academy Award for Best Director the Directors Guild of America Award for Outstanding Directing, the BAFTA Award for Best Direction, and the Critics' Choice Movie Award for Best Director. She also became the first woman to win the Saturn Award for Best Director in 1995 for ''Strange Days''. In April 2010, Bigelow was named to the ''Time'' 100 list of most influential people of the year. ==Early life and education== Bigelow was born in San Carlos, California, the only child of Gertrude Kathryn (née Larson; 1917–1994), a librarian, and Ronald Elliot Bigelow (1915–1992), a paint factory manager.〔(【引用サイトリンク】publisher=yahoo.com )〕 Her mother was of Norwegian descent.〔http://www.azcentral.com/thingstodo/movies/articles/2009/07/08/20090708hurtlocker0708.html?nclick_check=1〕 Bigelow's early creative endeavors were as a student of painting. She enrolled at San Francisco Art Institute in the fall of 1970 and received her Bachelor of Fine Arts in December 1972. While enrolled at SFAI, she was accepted into the Whitney Museum of American Art's Independent Study Program in New York City.〔 Bigelow's early work benefited from her apprenticeships with Vito Acconci, Richard Serra, and Lawrence Weiner.〔 Also in her early days in Manhattan, Bigelow teamed up with Philip Glass on a real-estate venture in which the pair personally renovated distressed apartments downtown then sold them for a profit.〔 Bigelow entered the graduate film program at Columbia University, where she studied theory and criticism and earned her master's degree. Her professors included Vito Acconci, Sylvère Lotringer and Susan Sontag,〔Dargis, Manohla, ("Action!" ), ''New York Times'', June 18, 2009. Access date: June 27, 2009〕 as well as Andrew Sarris and Edward W. Said.〔 Hond, Paul, (),''Columbia Magazine'',Winter 2009-10. Access date: Sept. 10, 2015〕 and she worked with the Art & Language collective and noted conceptualist Lawrence Weiner.〔Rapold, Nicolas, ("Interview: Kathryn Bigelow Goes Where the Action Is" ), ''Village Voice'', June 23, 2009. Access date: June 27, 2009.〕 She also taught at the California Institute of the Arts.〔("Kathryn Bigelow – Filmmaking at the Dark Edge of Exhilaration" ), ''Harvard Film Archive'', July 1, 2009. Access date: December 17, 2009.〕 While working with Art and Language, Bigelow began a short film, ''The Set-Up'' (1978), which found favor with director Miloš Forman, then teaching at Columbia University, and which Bigelow later submitted as part of her MFA at Columbia.〔Benson-Allott, Caetlin. ("Undoing Violence: Politics, Genre, and Duration in Kathryn Bigelow's Cinema" (preview/paywall) ), ''Film Quarterly'' 64.2 (Winter 2010), pp. 33–43. University of California Press; link via JSTOR. "Abstract: Kathryn Bigelow's eight feature films all seek a balance between progressive representations of gender and race and the demands of commercial filmmaking. Close attention to the filmmaker's experiments with duration and camera technology reveals her interest in reworking Hollywood conventions to critique conventionally masculinist genres."〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kathryn Bigelow」の詳細全文を読む スポンサード リンク
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